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· Behind The Green Door Oral Scene Marilyn Chambers, Johnny Keys, xxxymovies, vintage, lecken, interkulturell, klassisch, gruppensex, amateure. MARILYN CHAMBERS (BEHIND THE GREEN DOOR) Marilyn tells the story of how she started making PORNO MOVIES. Her first movie was. Schaue Behind the Green Door () auf retrosuperstore.se! xHamster ist der My Ex-wife and I Recreated This Scene In A Swing Club in Phoenix Several Other. Schaue Behind The Green Door auf retrosuperstore.se! Love the interracial scene when the black guy came in and there was bit white woman. Es wurden Behind the green door GRATIS-Videos auf XVIDEOS bei BANGBROS - Monsters Of Cock Interracial Scene Mit Natalia Starr und Jason Brown.

Scene from behind the green door

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Every morning that I got up and put them on, I had to think about when I walked into the Salvation Army and picked those shoes out.

Dull hush puppies. I took the two hundred and fifty dollars and went out and bought a brand new pair of cowboy boots, some new Levis and a new Levi jacket.

I felt like a new man. Before we started production I went through a little bit of trauma… Jim wanted me to cut my hair.

I suffer from a Sampson complex. The part I was going to play was that of a young junior advertising executive.

Before he could cut it off though I had to take him back to his apartment to get his scissors. John had a Marine-boot haircut, black satin pants with diamond sequins, a see-through Indian shirt, about forty silver bracelets on his arm and two earrings in one ear.

I mean to be hip is cool, but where is straight at? Rhetoric always twists my head. Hippies laugh at the straights.

John cut my hair the way that I wanted it, which was long but neat. One look in the mirror though and I went into instant depression.

First impression of Marilyn was that she was pretty and wholesome looking. I could tell after talking with her for a few minutes that she was totally into the film.

She also loved to drink beer and smoke marijuana. Even first thing in the morning when everyone else was struggling over coffee she would have a can of beer in her hand.

There also seemed to be more cocaine around than ever before, but there was more money available and Jack, who was casting director, had great coke connections.

Marilyn seemed more professional than any other girl that I had worked with in any prior films. She had been in a film that was shot on the East Coast called Together , an X-rated quasi-documentary about sensual encounter groups.

For the first time we had a hair stylist and a makeup girl on the set every morning. Both of these individuals were being paid one hundred dollars a day for doing hair and makeup.

More than I made for most of the films that I had been in in the early days. The Mitchell Brothers were even starting to think about wardrobe.

For my part, Jim and his wife bought me a two hundred and fifty dollar outfit so that I would at least look like the part I was supposed to be playing, the junior ad man.

For the first day of shooting we were scheduled to shoot on location at the Alta Mira Hotel, a plush resort hotel in the hills above Sausalito.

For the first time we were going to shoot an exterior scene without having to leave the engine running. In the old days few people would let you use their place of business if they knew you were shooting a porno.

So, we would drive up to the spot we wanted to use, leave the engine running, and get into position. The cameraman would jump out and shoot the scene, then we would all pile back into the car and roar off.

It was almost like an armed robbery rather than movie location shooting. The actors and actresses were ushered into a suite that had been rented for the day, and the crew, which numbered about ten people for this production, went over to the lobby to set up.

When it was time for us on the set, we walked into a scene that looked like it was straight out of Hollywood. Technicians running around, make-up people, script girls, still cameramen, and production assistants.

For a moment I really felt like I was a star, at least an actor. The old Alta Mira restaurant and hotel — now a drug rehab center.

They were relatively simple scenes and in the old days would have taken only a few minutes to shoot, but they wanted this one to be right and so it took several hours before Art said we had finally gotten what we needed.

Art was the director of this one, and Jim was acting as producer. Benton was still doing sound and Fontana was still chief cameraman.

They had hired a professional lighting man. During one of the breaks in the shooting an old lady who was staying at the hotel came up to me and asked what the name of the movie was.

Other people would walk by and see the makeup girl straightening up my make-up and they would whisper to one another, trying to figure out who I was.

I was in my glory! When I got there it was like walking into a morgue. All the technicians were standing around pointing at each other and shaking their heads.

I assumed that they had already seen the rushes. I stood back out of the way and Jim came up and said that they were going to take another look at the rushes if I wanted to watch.

The film was as bad as ever. None of the film was useable. They finally solved the problem by changing the film and using the old type that both Jon Fontana the cameraman and Bucky the lighting man, were used to.

They also fired one of their production assistants rand Jim took over the directing from Art. The plot of the Behind The Green Door was basically that Marilyn was ripped off from her hotel room and taken to a private club where she was taken on stage and made to perform a sexual act with six girls, then six guys, then a solo with a black cat, then with everyone at one time, including three guys who are on trapezes.

As the action increases, the audience, numbering about fifteen, gets so turned on that they start getting it on. The whole thing turns into a giant free for for all with everyone fucking and sucking everyone else.

As soon as Marilyn walks out onto the stage I realize that I recognize her from the hotel. Knowing that this club kidnaps its victims, I wait for a chance to rescue her.

When all bedlam breaks loose I run up on the stage, scoop her up and run through the green door with her. Then there is a scene of Marilyn and I getting it on.

After several weeks of shooting the preliminaries, we had to break for a week while Jim and Art were in court over Reckless Claudia.

When there was finally a break in the trial, they assembled everyone in the cast and got ready for the big scene.

On the morning of the big scene, we all had to show up at A. Even though there were more than thirty people in the scene they somehow managed to get everyone made up and in costume in only a couple of hours.

Stage A had been turned into a fancy club with huge hanging drapes, Persian carpets and large overstuffed couches facing a stage.

Above the stage were three trapezes and at the back was the ominous Green Door. Since this particular scene was the meat of the Behind The Green Door and certainly the most complicated in terms of numbers of people and action involved, they shot most of the hard-core stage action with Marilyn the week before.

Today they were going to run through the scenes where Marilyn is first brought out on stage. Then the scene where she is made love to by the six women and the scene where she is made love to by everyone at one time the audience excluded.

Since it was such a freak scene, there probably should have been a closed set. But there were almost as many spectators as there were participants.

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Alternate Versions. Rate This. A beautiful woman is abducted and initiated into a live sex act on a private stage, participating in lesbianism, interracial sex and a public orgy.

Directors: Artie Mitchell as Artie J. Mitchell , Jim Mitchell as James L. Writer: Anonymous story. Stars: Marilyn Chambers , George S. Added to Watchlist.

Guide for the Film Fanatic by Danny Peary. Sex, Censorship and the Silver Screen. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Edit Cast Cast overview, first billed only: Marilyn Chambers Gloria George S. Barry Clark Johnnie Keyes African Stud Elizabeth Knowles Matron as Lisa Grant Yank Levine Dudley Toni Attell Mime as Toad Attell Ben Davidson Doorman Adrienne Mitchell Waitress Dana Fuller Cook Dale Meador Parking Lot Attendant Tony Royale Guard Bunny Brody Learn more More Like This.

The Devil in Miss Jones. The Opening of Misty Beethoven. Resurrection of Eve. Taboo II. Deep Throat Adult Comedy.

Adult Comedy Fantasy. Debbie Does Dallas There she engages in lesbian sex with a group of six women, all dressed in black, after being brought out wearing a white dress on stage through the green door.

The silent, largely masked audience become increasingly aroused [3] as her white dress is removed and she is stroked, kissed and given cunnilingus by the women.

Her first heterosexual sex is with the African-American boxer Johnnie Keyes , accompanied by a funk soundtrack. When she has an orgasm , the sex stops and he is not shown to ejaculate.

Gloria then mounts a trapeze contraption suspended from the ceiling and then engages in vaginal intercourse with one man as she performs oral sex on another and masturbates two others.

The film features several multicolored, optically printed , slow-motion close-ups of money shots. The narrator then runs from the audience onto the stage and carries Gloria off through the green door.

Several years after Andy Warhol 's seminal Blue Movie in , and along with Deep Throat , also released in , Behind the Green Door helped launch the " Golden Age of Porn " — , [2] and somewhat later, the " porno chic " boom.

It was the one of the biggest box office pornographic successes of the s, alongside Deep Throat and The Devil in Miss Jones.

Chambers was relatively unknown at the time; however, the film made her a star. That Chambers's image was so well known from Ivory Snow boosted the film's ticket sales, and led to several jokes on television talk shows.

Upon its release, the film received positive reviews in mainstream media. The Supreme Court's Miller v. California decision adversely affected the mainstream release of porn films, including Behind the Green Door.

Miller continued to hold that obscenity was not protected by the First Amendment , which gave leeway to local judges to seize and destroy prints of films adjudged to violate local community standards.

The movie featured no famous performers, and starred an Elisa Florez who billed herself as Missy Manners. Florez was Artie Mitchell's girlfriend at the time, and she reportedly demanded the role from him.

It was the first "safe sex"-themed porn film, and was produced as a response to the s AIDS outbreak in San Francisco.

Scene from behind the green door

Scene From Behind The Green Door - Straight Category

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